WELCOME TO ALL EARTH (NON FUNCTIONAL DEMONSTRATION MASK). IF HAZARDS EXIST, USE ALTERNATE EXIT. FOR ACCESS PLEASE USE A DEVICE WITH A LARGER DISPLAY.
THERE HAS TO BE SOMETHING IN HERE THAT WILL HELP ME WITH ONE OF THE GOALS OF MY LIFE. TO GAIN ACCESS TO THIS VITAL INFORMATION I WILL USE A DEVICE WITH A LARGER SCREEN.
BLOOM WHERE YOU ARE PLANTED. SLEEP WHERE NIGHT OVERTAKES YOU. BEAR WITH THE SILENCE. KEEP GOING UNTIL YOUR HAT FLOATS. RETURN VIA A DEVICE WITH A LARGER DISPLAY.
AS A REWARD FOR MY USE OF A DEVICE WITH A LARGER SCREEN I WILL RECEIVE ANOTHER PROMISE OF NUMEROUS DESCENDANTS AND ABUNDANT PROSPERITY.
A UTENSIL. A WAX STATUE. A COFFIN COVER. A FEATHER. A TREE BRANCH. EXCREMENT. SPITTLE. MUCUS. MISCELLANEOUS OBJECTS. COAL. A WATER BUBBLE. A HEAVENLY BODY. A SCREEN THAT IS TOO SMALL. A LARGE-ENOUGH SCREEN.
AN IDEAL STATE OF HAPPINESS, FREEDOM AND PEACE WITHIN AND AMONG ALL PEOPLE AND NATIONS IS SOMETIMES CALLED WORLD PEACE OR PEACE ON EARTH. THIS INFORMATION CAN BE ACCESSED ONLY VIA A DEVICE WITH A LARGER SCREEN.
TO SEE THE AREA’S LARGEST PILE OF GOAT MANURE (IT STINKS. IT’S AN EYESORE. IT BREEDS FLIES. ASK WHY?) USE A DEVICE WITH A LARGER DISPLAY.
ALONG WITH CUT GRASS AND FRESH BREAD, THE SMELL OF FRYING BACON IS ONE OF OUR FAVORITE SCENTS ON THIS ISLAND. TO GAIN ACCESS PLEASE RETURN VIA A DEVICE WITH A LARGER DISPLAY.
THE GREEK WORD “APNEA” MEANS “WITHOUT BREATH”. TO ACCESS PLEASE USE A LARGER SCREEN.
DESPITE THE SURPRISE OR SHOCK IT MAY EXPRESS, THE EXPRESSION "HOLY SHIT" HAS NO LITERAL MEANING. IN SPITE OF NOTHING, THIS INFORMATION CAN ONLY BE ACCESSED VIA A DEVICE WITH A LARGER SCREEN.
OFISHER NOTICE. IMPOTENT PERTS HAVE BEN DELTED. PLEASE GIVE 3 VERBS. ACCESS THIS INFORMATION VIA A DEVICE WITH A LARGER SCREEN.
KEEP IN MIND THAT SOME EXERCISES, YOU COULD DO ANYWHERE. YOU COULD DO THEM WHILE YOU ARE WAITING FOR THE BUS, DURING A BUSINESS LUNCH, OR IN THE WAITING ROOM AT THE DENTIST. NO ONE WILL BE ABLE TO TELL THAT YOU ARE DOING THEM. THIS WEBSITE, YOU CAN ONLY ACCESS IT VIA A DEVICE WITH A LARGER SCREEN.
BE QUIET. RUN AS DAEMON PROCESS. DO NOT MAKE NOISE ON YOUR WAY TO THE OTHER WORLD. ACCESS THIS INFORMATION BY USING A LARGER SCREEN.
DISTINCTIONS ARE IMPORTANT. FOR EXAMPLE, EASILY CONFUSED BEIGE CREMES CAN HAVE QUITE DIFFERENT PROPERTIES. THIS SCREEN IS TOO SMALL TO ACCESS THIS INFORMATION. ANOTHER WITH A LARGER SCREEN WOULD BE ADEQUATE AND IN FACT IDEAL.
“I AM A TREE. I AM APOLITICAL. I DO NOT PRESS PAUSE.” “I AM A CORPSE. I LIE WHERE I LIE.” "I AM A GROWING BODY OF INFORMATION. I CAN BE ACCESSED ONLY VIA A DEVICE WITH A LARGER DISPLAY".
INSTRUCTIONS: WHEN CONTACT WITH THE OUTSIDE WORLD ENDS, PLEASE TURN OFF THE MACHINE. THEN RETURN TO THIS WEBSITE, THIS TIME PLEASE USING A DEVICE WITH A LARGER SCREEN.
WHAT LURKS WITHIN COASTAL FOG? MICROBES AND SPECIES KNOWN TO CAUSE RESPIRATORY INFECTIONS. WHAT KIND OF ARMY WOULD LINGER IN A PLACE LIKE THIS? ONE THAT IS CURSED. WHAT LURKS IN THE HEARTS OF MEN? THE SHADOW KNOWS. HOW WILL I ACCESS THIS INFORMATION? BY USING A DEVICE WITH A LARGER SCREEN.
AS A LISTENER, I'LL NEED TO DO MORE THAN JUST HEAR. I'LL NEED TO THINK. SOMETIMES (DEPENDING UPON WHAT I HEAR) I MAY NEED TO DO THINGS. TO ACCESS THIS WEBSITE, I WILL NEED TO USE A DEVICE WITH A LARGER SCREEN.
FOR EXAMPLE, IN THE ENGLISH PHRASE “HE'S DEAD, JIM”, THE NAME JIM WOULD BE VOCATIVE CASE. IN THIS CASE, TO ACCESS THE WEBSITE ONE MUST USE A DEVICE WITH A LARGER DISPLAY.
PROGRAMMING ENSURES THAT THE PLAYER STAYS WITHIN THE PHYSICAL BOUNDARIES OF THE GAME WORLD. ACCESS IS GAINED ONLY VIA A DEVICE WITH A LARGER SCREEN.
A FOURIER TRANSFORM CONVERTS TIME (OR SPACE) TO FREQUENCY AND VICE VERSA; A FAST FOURIER TRANSFORM DOES SO QUICKLY. THIS DEVICE HAS A SCREEN THAT IS TOO SMALL TO ACCESS THIS WEBSITE. A DEVICE WITH A LARGER SCREEN WOULD BE JUST FINE.
POLO IS PLAYED WITH A BALL. BUZKASHI IS PLAYED WITH A HEADLESS GOAT CARCASS. TO ACCESS THIS WEBSITE, PLEASE USE A DEVICE WITH A LARGER SCREEN.
THWART THE PERIMETER SECURITY OF THE BASE. SNEAK AROUND THE BASE WITHOUT BEING SEEN BY ANY GUARDS. FIND THE ROOM HOLDING ALL THE INFORMATION YOU WANT. ACCESS VIA A DEVICE WITH A LARGER DISPLAY. BACKTRACK THROUGH THE BASE TO ESCAPE.
TOUCH THOSE TOES. PINCH THAT NOSE. MAKE A FIST. OPEN THE MOUTH. EMPTY THE LUNGS. LET THE THOUGHTS POUR FROM THE BRAIN… NOW RELAX. JOG IN PLACE. RETURN VIA BIG SCREEN. OH YEAH…. YOU NOTICE THAT.
ONE DAY I’LL TELL A JOKE SO SUBTLE THAT NO ONE WILL KNOW HOW FUNNY IT IS (EXCEPT FOR ME). SOME DAY SOON I WILL ACCESS THIS INFORMATION VIA A DEVICE WITH A LARGER DISPLAY.
ONCE THE STALKING PREDATOR IS DETECTED, THE SIGNALING PREY AND RECEIVING PREDATOR HAVE A MUTUAL INTEREST IN RETURNING VIA A DEVICE WITH A LARGER DISPLAY.
“THE SMELL MUST BE COMING FROM OUTSIDE THE VEHICLE, OFFICER.” "SON, PLEASE ACCESS THIS INFORMATION USING A DEVICE WITH A LARGER DISPLAY."
DELIVERY HAS FAILED PERMANENTLY. YOUR ACCOUNT HAS BEEN ALONE FOR SECURITY REASONS. YOUR SHOPPING CART IS EMPTY, BUT IT DOESN’T HAVE TO BE. PLEASE RETURN VIA A DEVICE WITH A LARGER DISPLAY.
DO YOU KNOW WHAT IT’S LIKE ON THE OUTSIDE? DO YOU KNOW WHERE YOU ARE? YOU’RE IN THE JUNGLE, BABY. YOU’RE GOING TO DIE. PLEASE RETURN VIA A DEVICE WITH A LARGER DISPLAY.
NO BIOGRAPHICAL DETAILS. NOTHING IS KNOWN. PLEASE RETURN VIA A DEVICE WITH A LARGER SCREEN. NOW LET US SEE, HEAR AND FEEL. REGARDS.
THERE IS A STRONG DESIRE IN THE BIGGER; THE SOURCE OF ANY ANSWER THAT YOU NEED; IT AS MUCH AS COMMANDS YE, “HARK, AND RETURN VIA BIG SCREEN!”
(a) CONSIDERED HARMFUL, (b) GREETED AS LIBERATORS, (c) GENERALLY REGARDED AS SAFE AND EFFECTIVE, (d) ACCESSIBLE ONLY BY BIG SCREEN
WHEN YOU WEAVE STRAW, THERE IS NOTHING IN THE WORLD BUT WEAVING AND STRAW. WHEN YOU RETURN TO THIS WEBSITE, PLEASE DO SO VIA BIG SCREEN
HAVING WOKEN UP WITH CUDDLES AND AN EXCITING MISSION, IT WAS SO CREAMY AND SOOTHING THAT I HAD TO CONTACT YOU AND SAY SOMETHING: PLEASE RETURN VIA BIG SCREEN

SHHHH

a SOUnD IS LaRgEr tHaN A BAy, DeEPeR ThAn a BiGhT, anD WIdEr tHAn a fJOrd.

“tHe clOcK’S FacE” aNd “ThE fACe OF THe cLOCk” ARe BOTh cORRect.
“My FaCe” iS COrrEcT, BUt “tHe fAcE OF mE” sOUNdS VeRy STrANge.

IF tHe hEaD Of A PeRSOn wHo LoOks dOWN a WeLL pErfEcTLy
BlOckS tHe suN’s REfLecTiON, ThE SUn iS OVeRHEaD.

tHE cOntENTs Of A pERsOnAl HoaRD ARe BUrIeD fOR saFETy IN TimEs oF UnRESt.
A VOTive hOArd IS DifFErenT. It RepREsenTS PErMAnENT aBANDOnmENT
(nO iNTeNTIoN oF REcoVeRy)

A sHaDOW ShOW MAy LASt fOR hOURS, OR UnTIl DaWN.

thE BReAsT THat FeeDs THe hUNgRY InfaNT is ThE “GOod bReASt”.

aN eArLy BirD Is oFteN PlUmp bEcaUse woRms aPPRecIATe pUnctUALiTy.

A kNOWLeDGEaBLe peRsON Is aBLE TO nAVIgaTE AcRoss The LanD
By RePEaTInG ThE WORdS OF tHE sONg.

yOU shOULD Be AbLE TO fIND tHE spoT bY MemORy iN DARkNess.
dON’T pIck A SPOt THaT cOUlD Be mOVED By naTUre. Don’t PicK AN OBvIOUs spoT.

ThE lAst THinG a FisH woULD dIscOVeR Is WaTeR.

PUt THe sheeP In thE sLeePiNg MaN’S DreAm.

IS iT a “hoLy” DaNcE? doEs THe WOrd “HOlY” PresUppOSE A SecULaR WOrlD?

IS iT OnOmaTOPEIa? DOes Its rOOT meAN “In a WHisPEr”?

IS iT NOt aBOUT AcTiOn? DOeS iT MeaN One dOMiNO KnOckS OVeR aNOTHeR DOmInO?

cOULD iT PrOVIDe ThE kEyS TO opeN, MaInTAiN, VErIFy Or
cLOSe ThE cOmmUnICaTION CHaNNEL (“HellO?”, “Ok?”, “Hmmm”, “Bye Bye”…)?

mIgHT iT AppLY tO PreDIcTIOnS OF fUTUrE EVeNTS,
TO PHySIcAL MeASUrEmeNTs AlrEaDY MAdE, Or TO ThE UNkNOWn?

A gUESS IS By DeFInITION UnsTaBLE. A GUeSS MaDE WIth nO fAcTUaL BAsIS IS WiLD.

THe tOES: haLLUX, SEcOnD TOe, THiRD tOE, fOUrtH TOe, fIFtH TOe (OUTErmOSt TOe).

THe SiX mOST IMpOrtAnT kINdS OF OdOUrS.
(1) FlOWeRy (2) pUTrEfActIVe (3) AROmA (4) BURnT SUBStANcE (5) fRUITy (6) ETheREaL ODOUrS.

ThE THeORiES On LANgUAGe’S ORiGIn: tHE BOw-WOW (tHe cUCkOO),
tHE POOh-pOOH, THe DINg-dOnG, ThE yO-HE-hO, tHe tA-Ta.

OnE OF a seRiES Of SInUOuS cUrVeS, BeNdS, LoOpS, tUrnS, OR WINDinGS
ProdUceD By a FlUID MasS DEScEndiNG (pRoDUcEd bY ThE SWiNginG OF a STrEaM).

THe TrUffLE DOg: KeEN SEnsE OF SmELL; MUSt Be TrAiNED; EaSIER TO cOnTROL. ThE TrUFFlE HOg:
kEEn SeNSE Of sMEll; InnATE ABiLITy TO SNIff OUt TrUFFLeS; teNDENcy TO EaT TruFFLeS OncE FOUnD.

ThE DUBBeLE ciCERO. tHE EIGhtH PeTIt. The kWaRT CIcerO. ThE BrIllIANT QUARtErciCERO.
THe DiAmONd HaLf PeTItE. tHE SmAll MIsSAaL. ThE cOLONEl MIgNOn. THe GrOTE cicERO.

dUpEs DiG fOr gOLD! SWIndLeR BUriED IN DUnGhEaP! EaRtH RejEcTS BUrIeD bOdIES!

No OnE HaS MaNAgED TO OBTaIN inDIsPUTaBLe PhoTOGraPHIc eVIDENce OF THiS WoODPeckER.

nO yEt-kNoWn cRAfT caN isOlAtE ThIs sUBtlE, aSHeN gLoW.

I HAVe SeARcHeD THiS BUs fOR SLeePINg cHIlDreN. iT Is emPTy.

iN a nUtSHelL, SWAMpmAN’S tHOUgHTS AnD UTTerEnceS MeAN nOTHINg
aND RefEr TO NOthInG IN PaRTIcULAr.

DO nOt HeeD ThE MaGIc yAM. All QUeSTIOnS TO Be aNSWeRED “I DOn’t kNOW.”
A yOUtH IS sO aDVISeD bY hIS HOrSe.

SPeaKER OfFEnDS lISTenER By TArGEtINg LiSTeNER’S HUmanItY.
EXaMpLeS iNcLUDe “Pig”, “cHIcKeN”, “SnAkE”, “RAt”, ANd “sWiNe”.

NIgHT sOiL IS A EUPheMISm FOr HUmaN fEceS.

tHE MAgNIfIcEnCE OF MOUnTAiNS, tHE sEReNITy OF nAtURE — NOThiNG IS SAfE FrOM THe
iDIOt MaRkS OF MaN’S PasSINg — A cLUtTEr OF JUnk OR a GaRBLe Of MesSAgeS NobODY nEeDS

“MaN Is cONcEiVeD IN bLoOd MaDE rOTTeN By ThE HeAT OF LUst
ANd In ThE eND WORmS LIkE MOUrNeRS StAnD aBOUT HiS cORPSe.” — Pope InnOcENt III

SOMe OnE WITh sTAr MaNIPULaTiON TEchNoLOgY MAy SImPLy nOT BE iNTeRESTeD In US!

“GReATESt BRIllIANcY” IS OfTEn cONFUSeD WItH “MaXImUM BrIgHtNesS”.

WHaT Ye SEEk IS SeeKiNG yE!

THeRE IS nO WhO WHAt WHerE WHeN WHy aBOUT iT. ThEre aRE NO aTTriBUteS.
STrIP fROm iT aLL attRIbUTeS.

“WHeN WE AWAke fROm OUr gREaT SLUmBEr, THe VOicE HeaRD DOWn FrOM HeAVEn
WIll Be LOUDeR THaN The thUnDER. THAt HOLy RiGHTeOUS NUmBeR THaT NO MAn cAN NUmBeR.”

ThE ONe cOmpULSORy QUeSTiOn. tHE OnE fORBIdDEn THiNg. THe cErTAiN pARTicULar PlAcE.
tHe ocCASiOn THAt mUST bE ObSeRVEd. THE OnE GiFT tHaT mUST Be acCEPtED. THe DeeP rivER oF SONg.

a MIRROr iMaGE glISTeNS aND ZaPS.

a pRiSTInE dOVE DIVeS foRtH InTO DaRkNesS.

a FeLLED TrEE LIftS iT SeLF UP agAIN.

a BeaN LaUGhS ‘TIL iT SplITS.

ThE ceNTrAL fIGURE LOOkS FORWaRD: STeaDILy, iNTenTLy, aND WItH FiXeD aTTentION.

tHe EXcePTiON cOmES OUt Of ThE GrOUnD aND gROwS IN ciRCLes.

iT AppEarS NOt To MOVe bUT OnLY tO LoOM lARgEr.

iT GOeS WiTH OUT sAYInG

LaNGUAge IS BiGGer THan thE UnIVErse. iT IS pOsSIblE tO
TaLk AbOUT thINGS WHicH CAnnOt BE fOUnD IN tHe WOrLD.

aN UTTeRancE Is A UnIT Of sPeecH. iT BeGInS anD EndS WIth A cLeAr pAuSE.
iT IS OfTeN BOUnDEd By SIlencE.

a DUmBshOW IS A PErfORmAncE IN WhicH tHE PLAyers DO NOt SPeAk.

a mUTE SWaN IS An OXymoRON; tHE WOrD sWAn’S rOOt meANS “TO siNG.”

a SWaN soNg IS A soNg SunG By a sWAn WHiLE DYinG.

a mUte sTAys SIleNT *eVEN WHeN SiLEncE HaS COnSeQUEnces.

a BRUTe FacT IS A fAct WITh NO eXPLaNATiOn.

“tHe TOTaL eXTeNt” iS aN All-ENcOMPasSInG gReAtNesS,
ThE PUrSUIT OF WHicH IS EnDLesS ANd imPOsSIbLE.

tHe OnSeT OF fATiGUE OFteN cOrREspONds WITh tHe oNsEt OF DarKNesS.

tHe SLeePInG MaSk iS A Pale, pALe fLeSH cOLOr. ThE AWaKE mASk IS BriGHT.

O, I raN tO The ROck TO HiDe My fAcE! The rOcK cRieD OUT “NO HiDINg PLacE.”
ThERe’S nO HiDING PLacE DOWn heRE.